Learn to draw Female Portraits No.1
Book file PDF easily for everyone and every device.
You can download and read online Learn to draw Female Portraits No.1 file PDF Book only if you are registered here.
And also you can download or read online all Book PDF file that related with Learn to draw Female Portraits No.1 book.
Happy reading Learn to draw Female Portraits No.1 Bookeveryone.
Download file Free Book PDF Learn to draw Female Portraits No.1 at Complete PDF Library.
This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats.
Here is The CompletePDF Book Library.
It's free to register here to get Book file PDF Learn to draw Female Portraits No.1 Pocket Guide.
Ron's art career first started in the Action Sports Industry working as a layout artist, logo designer, and board graphic illustrator. Moving in to more involved illustrations and conceptual design, he went back to school and is a graduate of the Atelier System, classically trained, and a former pupil of Sebastian Capella, Spanish portrait virtuoso. He has been a concept designer and art director in the video game industry for 10 years with dozens of clients including Sony, Activision, Ubi Soft, Mattel and more.
In addition to illustrating and Portrait Painting, Ron has been an art instructor for the last 19 years. Together with his wife Vanessa, the two run their art school in Encinitas Ca. His art speaks for itself and his ability to educate runs just as deep. Ron is a passionate artist with an innate gift for communicating complex creative theory into easily understood theory.
- 50 Clever Tutorials and Techniques on Traditional Drawing.
- OPEN ODYSSEY Eternal Return Odysseus.
- Fairy Tale Princesses of the Civil War: Rattler and Celtic Magic;
When I run into Ron's students, the comments are always the same 'Ron is the best teacher I've ever had. No doubt you too will learn a lot from him. The Gnomon Workshop. Browse by Category. Entertainment Design The Gnomon Workshop is widely regarded as the global leader in training tutorials for the designer working in the entertainment industry.
Tattooing As the tattoo industry has seen an explosion in popularity over the last few years, the need training in this field has also grown. Software The Gnomon Workshop offers professional training on most of the software applications used in today's digital pipelines. Professional Training for Artists The Gnomon Workshop seeks out the most highly-regarded traditional and digital artists and technicians currently working in the entertainment and design industries.
Instructor Galleries Instructor Interviews. Kevin Mannens Jerad S. Blog Events. Many will even represent the entire edge of the tooth with a harsh line making the edge of the tooth seem sharp. The result looks far more like Chiclets with gaps between them than a realistic set of teeth. Fortunately, this problem can be fixed fairly easily! When light hits a curved object, it will always be brightest at its highest point and will dissipate as the object curves. This creates a gradation, or subtle shift from light to dark and is the key to drawing teeth. So, I like to start with my 4H pencil and lightly draw in the darker values on the outer edges of the tooth and slowly move toward the light at the crest of the tooth.
This creates a smooth gradient and avoids ever creating a harsh line at the edge of the teeth. Often there are no spaces and one tooth is casting a very light shadow on the other. This helps you to either set a tooth back or bring it forward depending on what is casting the shadow. The face, like a tooth, is contoured with a high point where the light hits most directly and gently slopes to either side where the light dissipates as it moves further from the source.
Below is an example of what that gradation might look like:. This is a technique that you can practice on a scrap piece of paper any time. Simply draw a line and then practice softening the edges by creating a gradation dark to light in both directions. Sounds good, right? Except, instead of drawing groupings of hair with shadows in-between more about that in a second , many will place their pencil tip right at the edge of the scalp and create one long strand of dark, noodle-like hair.
Instead, I look at the hair not as individual strands, but groups of hair, and what I draw is the shadow space between those groups—does that make sense? The width of the head, from ear to ear, generally measures the same length of five "eyes". This means that if we want to draw the eyes with accurate proportions, then we need to draw them so that they match this approximate measurement.
In this lesson, we're focusing only on drawing the face but if you want more instruction on drawing eyes, take a look at these lessons Moving down the face, we'll next draw the nose. The bottom of the nose can be found on the bottom line of the square that we drew in step two. The width of the nose varies from person to person, but is generally as wide as the inside corners of the eyes. It may be helpful to draw two light lines down from the inside corners of the eyes to help you find the width of the nose.
We find the mouth slightly higher than half-way between the bottom of the nose and the chin. Of course, this measurement varies from person to person. We can draw a line to mark the positioning of the mouth. We can use the eyes to help us determine the width of the mouth. The corners of the mouth generally align with the inside edges of the pupils. It may be helpful to draw light lines from the pupils to the "mouth line".
Next, we'll draw the ears. Here again, we can use the locations of the features of the face to help us determine the location of the ears. The top of the ears will generally align with the brow line, while the bottom of the ears align with the nose line. Keep in mind that the ears come out of the head and extend upward slightly. This means that the ears will extend outward from the head, near the eye line. We've only sketched in a couple of loose ears for this lesson. If you want to take a closer look at drawing an ear, check out this lesson Now we'll draw the hairline. If you're drawing someone that has long hair that overlaps the forehead, the hairline may not be visible, but it's still important to know where it's located.
The hairline is found on the top edge of the square that we drew in step two.
Drawing the Female Portrait | The Gnomon Workshop
Hairlines vary greatly from person to person. In this example, we'll draw a widow's peak pattern. Now that we have the hairline in place, we can draw the hair. Shorter hair extends only slightly off of the top of the head, while longer or bushier hair may extend quite a bit.
In both cases, however, the hair extends out from the head and should not be drawn directly on the head. Now we need to add a neck to our floating head. The tendency of most beginning artists is to make the neck too narrow. Generally speaking, the neck extends down from the bottom of the ears. Female necks are slightly more slender, while the necks of males are broader. If you want to draw a face from the side or profile view, these same proportional measurements apply.
We'll simply alter the location of the features, positioning them on the side of the head. In fact, we can start the process in exactly the same way - starting with a circle with intersecting lines. We'll start in the same way that we did before by drawing a circle, two intersecting lines, and a square that makes contact with the circle at all four corners. Here again, the top line of our square will become the hairline.
Explore the Variations
The middle line will become the brow line and the bottom line will become the nose line. We'll next mark the location of the bottom of the chin. We can measure the distance from the center of the square to the bottom and use this measurement to mark the bottom of the chin. With a mark in place for the chin, we'll draw the front edge of the face.
In this case, our subject is facing to the left, so we'll bring a curved line down from the top of the head to the bottom of the chin. Next, we'll draw a line from the bottom of the chin to the center point on the bottom of the square. This line represents the jawline.
This line will curve slightly in most cases. Now we'll measure to the center of the head and place a line to represent the eye line. Again, this line should be drawn just underneath the brow line.
Facial Proportions - How to Draw a Face
We can also use the circle that we drew with the bottom of the square to draw the backside of the head. Think about the structure of the skull here as you draw this line. Now that we have an idea of the location of the facial features, we can draw them in using contour lines. We'll also add a bit of shading here to make the face have a sense of form. Notice how the eyes are set back from the front edge of the face and how the lips and mouth recede at a diagonal towards the neck.
We can use our center line, nose line, and eye line to draw the ear on the side of the face. Since our subject is facing towards the left, the bulk of the ear will be found on the right side of our center line. As we discussed before, the line drawn for the ear will start on the eye line, extend up to the brow line and then curve down, touching the nose line. We'll also go ahead and draw a contour line for the outer edge of the hair and a couple of contour lines for the neck in this step.
- Smashing Newsletter!
- The Crusades: A History of One of the Most Epic Military Campaigns of All Time!
- Drawing the Female Portrait;
- Women artists - Wikipedia.
- Navigation menu!
- Learn how to draw a face in 8 easy steps: Beginners.
- I Can Do It;